The Girl with the Dragon Tattoo, by Stieg Larsson

The Girl with the Dragon Tattoo, by Stieg Larsson
Before Stieg Larsson died in 2004, he was the editor of Expo, the journal of the Swedish Expo Foundation, an organization dedicated to tracking the activities of racist organizations. He was also an expert on Nazi and other extreme right-wing organizations. Not surprisingly, The Girl with the Dragon Tattoo has within it the most unsavory of evils, loosely linked to Nazis of the past and present.
The novel’s narrative focus is captured in its original Swedish title, Men Who Hate Women, and flows from two major plots: a failed investigation of a corrupt businessman, and a crime case of a murder long ago committed and recently resurrected. Linking both stories are the characters of Mikael Blomkvist and Lisbeth Salander. Blomkvist is a journalist found guilty of libel for his investigative work on industrialist Hans-Erik Wennerström. He’s lost his job and his integrity, and he’s about to lose his freedom when he begins his jail sentence for his crime. Millionaire industrialist Henrik Vanger, however, intercedes and asks him to investigate the cold case of Vanger’s long-dead niece, Harriet, who decades before was probably murdered. No body was ever found, but the suspect must be one of Vanger’s unsavory family members. Blomkvist is to conduct the case privately, under the guise of his work on a Vanger family chronicle. If Blomkvist agrees to investigate the old crime, Vanger will give him much-needed information on Wennerström.
Running parallel to this is the narrative of Lisbeth Salander, the girl with the dragon tattoo, as well as other tattoos and various body piercings. She is small and anorexic-looking, disagreeable, mistrusting of people, probably mentally ill, and a computer genius. She works for a private security firm and collides with Blomkvist in an uncomfortable way – she’s been investigating him for Vanger. That aside, Blomkvist takes her on as a partner in the search for information on the missing Harriet and subsequently the continuing investigation of Wennerström.
The intricate interwoven plots lead readers to a cast of hideous characters, who are as appalling in their portrayal as in their crimes. Neither Salander nor Blomkvist escapes the evil that swirls around them, in a heart-stopping climax where good and evil clash.
The last section of the book may, ironically, seem to slow to a crawl, but after the grisly events of the previous pages, the reader might instead breathe a sigh of relief in this complex follow-up to a corrupt industrialist’s crime investigation.
D. L. S.
Labels: Crimes against women - fiction, Serial killers, Steig larrson, Suspense fiction



